[Education]
MASTER OF ART CURATORSHIP // University of Melbourne (2019)
BACHELOR OF ARTS (DEGREE WITH HONOURS) // University of Melbourne (2017)
[Professional Experience]
LON GALLERY // Gallery Assistant
SEVENTH GALLERY // Board of Directors
VAULT MAGAZINE // Assistant Manager
VAULT MAGAZINE // Acting Manager
MONASH UNIVERSITY MUSEUM OF ART // Public Programs and Research Intern
BALLARAT INTERNATIONAL FOTO BIENNALE // Copy-writer and copy-editor
SEVENTH GALLERY // Assistant to Gallery Manager / Producer (2019 Annual Fundraiser)
MELBOURNE ART FAIR // Operations Intern
NATIONAL GALLERY OF VICTORIA // Research and Curatorial Intern
ARC ONE // Gallery Assistant
CENTRE OF CONTEMPORARY PHOTOGRAPHY // Front of House Volunteer
KOORIE HERITAGE TRUST // Relocation Volunteer
[Panel Discussions]
‘Standing the Field’, WESTPACE // ‘The Semantics of Curatorial Agency: Recurating vs Restaging’
[Published]
‘HTTP.PARADISE’, Incinerator Gallery, Memo Review, 2020, URL: https://memoreview.net/blog/http-paradise-at-incinerator-gallery-by-hester-lyon
‘Catalyst: Anne Ferran’, VAULT Magazine, Issue 30, 2020, p. 138
‘TERMINUS at Heide Museum of Modern Art’, VAULT Magazine, 2020, URL: https://vaultart.com.au/ISS29/features/heide.php
‘The Recurated Exhibition: The Past and the Future Mobilised’, fine print magazine, 20, 2019, URL: http://www.fineprintmagazine.com/previous#/the-recurated-exhibition
‘Sydney Contemporary: A Constructive Criticality’, VAULT Magazine, 2019, URL: http://vaultart.com.au/ISS28/sydney.php
Exhibition catalogue essay, ‘Robbie Rowlands: Incremental Loss’, National Centre for Photography, Ballarat, 23 February – 10 March, 2019. Supported by the Ballarat International Foto Biennale
‘Architecture Makes Us: Sonia Leber and David Chesworth at Centre of Contemporary Photography’, Memo Review, 2018, URL: https://memoreview.net/blog/sonia-leber-and-david-chesworth-architecture-makes-us-cinematic-visions-at-the-centre-of-contemporary-photography-by-hester-lyon
‘Christian Thompson’ and ‘Sir John Longstaff’, 80/80. Eighty Years of SAM. The Collection, Shepparton: Shepparton Art Museum, 2016, pp. 50-1; 172-3